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Part epic adventure, part romance and part true-crime thriller, Coppermine is a dramatic, compelling, character-driven story set in 1917 in the extremes of Canada’s far north and the boom town of Edmonton. The story begins when two Catholic priests disappear in the remote Arctic region known as the Coppermine. North-West Mounted Police officer Jack Creed and Angituk McAndrew, a young Copper Inuit interpreter, are sent on a year-long odyssey to investigate the fate of the lost missionaries. On the banks of the Coppermine River, a few miles from the Arctic Ocean, they discover their mutilated remains. Two Inuit hunters are tracked and apprehended, and the four begin the arduous journey to Edmonton for the trial. The crowded, energetic city is a strange new world for the Inuit, and through their impressions as told to the press they become celebrities, while inside the courtroom the bizarre story of the killing of the priests unfolds.
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Hal is a mild-mannered IRS bureaucrat who suspects that his wife is cheating with her younger, more virile coworker. At a drunken dinner party, Hal volunteers to fly to Belize in search of Susan's employer, T. the protagonist of Lydia Millet's much-lauded novel How the Dead Dream who has vanished in a tropical jungle, initiating a darkly humorous descent into strange and unpredictable terrain. Salon raved that Millet's "writing is always flawlessly beautiful, reaching for an experience that precedes language itself." In Ghost Lights, she combines her characteristic wit and a sharp eye for the weirdness that governs human (and nonhuman) interactions. With the scathing satire and tender honesty of Sam Lipsyte and a dark, quirky, absurdist style reminiscent of Joy Williams, Millet has created a comic, startling, and surprisingly philosophical story about idealism and disillusionment, home and not home, and the singular, heartbreaking devotion of parenthood.
For Anyone who Loves Canada:Join Will Ferguson as he travels to Yukon in search of gold, to Quebec City in search of a lost love and to PEI in search of someone—anyone—who will criticize Almighty Anne. From his days as a space cadet at the CN Tower’s “Tour of the Universe” to his encounter with a pair of burly Canadian brothers playing semi-pro hockey in Japan. From essays “On Margaret Atwood, and Other Inanimate Objects” to an “Open Letter to Women, on Behalf of All Men.” From lessons of a mini-bar ninja to his misadventures working on the Vancouver Olympics Closing Ceremonies, penning monologues for the likes of William Shatner and Michael J. Fox, to his cross-Canada quest in search of Big-Assed Objects Beside the Highway, this is Will Ferguson at his high-flying best.